I drew on and painted postcards. (The colors are less nuanced and more childlike. The red is saturated blue-red, and overall feel is more vibrant. The pic below is a better indicator.)
I painted these (and this many more) to use in collages. I needed orange bits.
And I used up orange in my tiny travel watercolor set, and nearly finished red. I know nothing about conventional watercolor use, but I love the idea of using my tiny kit; it makes one feel artist-y. It's silly to try to paint inside the line in more or less even saturation, like gouache, but these paints are wonderfully saturated and this is what I've been doing. I practiced on scrap paper so I can learn a little more about the paint, but it's oh-so delicate. And just when I thought I could make pale, watery areas, I'd find "mistakes", and you know, with watercolor, you can't have do-overs.
And then my paint set; it's made by a reputable Japanese company with a website and prices for all sets and replacements, (a third cheaper than most brands,) except I can't buy online, and they don't state an email address nor a fax number as their contact. I might try one of the vendors at Amazon.co.jp, the price doubles as I haven't found a way to combine orders, and I'm only asking them to send to Mom. So until I go home next I'll have to mix with my student-grade watercolor and gouache, but that's OK, I'm still practicing. I'm glad I experienced something I've only read about; good paint is really full of pigment with not a lot of binder.
I like making up my own flowers, but what really interests me are faces and figures that tells a story; the reason why I love gesture drawings. I'm hoping I'll move on to those this summer. For now, though, I really get a kick out of making small books: these are my latest watercolor-practice books; I used other sketch pad covers because I wanted to include the word "(S)tudents".
I'm still struggling with layers and when I try to do second and third layers with paint I seem to obliterate previous layers. When I add colors as unintentionally as possible, I pick the least attractive to destroy any kind of harmony, almost as a challenge to myself. Although sometimes I find in them old-fashioned Kimono color combos, even.
I've been enjoying the Art & Artists blog's series on American Folk Art, especially portraits. They're devastatingly folksy/outsider and encouraging for me to give people doodles a go.
This is how I survived the months leading up to and following The Election. I'm trying to wean myself off of news feed. I'm finding the notion of liberal prejudice interesting, as I probably am guilty of it.