Moving On

On Monday, I thought I'd be productive and augment/widen this warp, wind it, and even thread it for another clasped weft. Except I'd forgotten I had the dark colors in the center of the warp, not on one side, and that felt like a game-changer for the purpose.

Because I missed the big birthday anyway, (not only the giving-of-the-pressie, but we both had reaction to our third Covid Booster,) there is no reason I need to rush this one. I started thinking: "What is it I want to make?" OK, before that, what do I think when planning/weaving a clasped weft piece? 

1) First and foremost, I notice hues and their interplay in most textiles, but with clasped weft, weft colors, (why monochromatic felt so new to me;) hues, values, their relationships, balance/proportion.  
2) Second, obviously the shapes of/lines dividing the two/different weft areas, (which monochromatic wefts bring to the fore;) included are balance/proportion, balance/contrast, repetition, even moods like pointy, rounded, elongated, etc., should I/viewer look for any. 

3) Then there is the underlying weave structure, which appear at times vividly, and other times not so well behind the "busyness" of the above two elements. But I'm always terribly into interesting structures/patterns, avoiding plain weave where I can, even if this hampers the precision of shapes/lines possible with clasped weft on plain weave. 
One thing I noticed on the Navy/Orange piece, is where threading moves quickly, e.g. 1-2-3-4, there are vertical stripes in the finished piece which weren't evident while weaving; where there were some floats, e.g. 1-1-2-2-3-3-3-4-4, the warps are covered better and no stripes appeared. This also relates to 4). This piece was woven 20EPI for cushynesss; I may revert to 18EPI but I'm not sure that will solve the problem. All three pieces have left home now and in the samples, these strips are not obvious to invisible. 
These were woven on four shafts, so the complexity of background pattern is limited.

4) And lastly, (that I can think of at this moment,) there is the warp hues/values. They are not as obvious or as consequential as I think I would like them to be, but if they are too manifest, they will distract from the main event, the 1) and 2) above. Hues/values obviously influence the finished look, i.e making the dark end darker and the light end lighter in the first two pieces of the previous monochromatic warp; actually, the navy in the third piece looked very nice against black, too. But it can make the overall picture murkier, even messy. Have a look at pieces I wove on a warp I made at the same time as the one I'm about to. See the dark bits in the middle? I'm not crazy about that. And the more I think about it, the closer the warp hues/values should be linked to background pattern. 
For now my gut feeling is, because I think this warp is pretty, but perhaps not as clasped weft background, perhaps I shouldn't make a clasped-weft-specific warp, and use this to have a pattern-focus towards the center as well. OR, is this a more challenging challenge?

Duty to my swap mates notwithstanding, this week I thought a bit of color play might yield fresh insight, so I'm doing small mixed media. Of course there is the fact I like mulling over weavy-thinky things. But then I can't get away from my Senior Brain worries my skills and abilities are only going further downhill, and the only way I can think of to combat that is more weaving. (Note to self: this did not happen to Mom until she was well into her 80s!) I'm not pessimistic. I'll go downstairs and continue to thread tied-weave; I can't wait to start sampling that one. I'll keep thinking about this warp as well as clasped weft, and try to transfer my head-picture onto something on the looms. 
I must also start the cool season weeding. I had a 2-week reprieve from that weird hey-fever/face/eye thing in February; it came back in March with the autumn wind; but we've had rain in April, and the wind isn't as fierce, so it's not as bad. Autumn came suddenly this year. Liquid maple turned from green to dark purple overnight, skipping all the lovely colors in between, I might have already told you, but still holding tight to the branches. It's actually been a pretty autumn, pleasant, and not cold like some years after the initial chill. There is oh-so-much to clean at our place, inside and out; annual doc appt at the end of the month; so many interesting books to read; I've no time for sulking!

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