I counted the pieces I can take to my Twilight Market stall, and decided I have enough; combined with Megg's cheerful bags, I'm set. So I'm concentrating on fringing and washing and pressing and tagging the pieces I've already woven. (I never allocate enough time for these chores, especially tagging. ) I still hope to put on one or two more warps this week, because I'd like to try to make a few very nice small scarves, but I won't have any more sleepless nights. At least that's the theory.
While fringing, I've been "wool gathering" about two concepts.
A while back, we took friends to several potters' studios in and around Nelson; one had been an armature potter for a long time. At Royce McGlashen's, the lady minding the shop told us to go meet Royce in his studio, welcoming, in particular, a potter interested in Royce's work; she said Royce is often called a potters' potter. I wasn't sure what she meant, but liked the sound of it.
I'm sure there are weavers' weavers, too, but I'm not sure what this means. It's been too hot and humid to give it serious thought today.
The other thought came out of nowhere while reading a short interview with the head of Human Rights Commission of New Zealand in this week's New Zealand Listener magazine. She was commenting that sometimes we get bogged down on relatively minor (on the scale of world's human rights violations) issues, because we are such a small country. Statistics New Zealand says as of 1.12PM today, there are 4,249,951 Kiwis.
For some reason, that got me thinking about making art/craft in a small place verses a large place. Nelson had a population of 45,372 on March 7, 2006, and though per capita we boost a large number of people making art, and galleries showing them, let's face it, it's a small place. After coming out of the basement only a little over a year ago, I've come to know some of the faces that frequent opening nights. It's a nice and encouraging feeling for the most part. I'm guesstimating if you get, say, 50 people to an opening, depending on the size of the gallery, that's a booming success. Art is personal and artists are accessible for the most part; we call most of them by their first names.
My home town of Yokohama had a population of 3,630,830 on December 1, 2007. I'm not sure what they do on for openings in Yokohama; I wouldn't be surprised if they are strictly by invitation only; I've never been to an art opening in Japan, ever.
I'm guessing larger places have infrastructures and people experienced in putting on art exhibits, who can assist/encourage and interfere/dictate artists putting on shows. I'm guess there's a bit of bureaucracy and waiting time before you convince someone to show your work, though there might also be oodles of small galleries for the hire.
I'm not sure where I'm going with this. I've never made art before Nelson, and I've only just started. I'm wondering if it's more work doing something in a small place or a larger place; I'm wondering if the standards/quality of work is different.
Don't mind me, my mind's just wandering while I fringe.