Wednesday, January 29, 2020
I'm Dressing the Loom - The Fast Part
Now that I have this warp, I want to put it on the loom so I can weave it. Dressing a loom means affixing the warp on to the loom, winding the warp on the warp beam at the back of the loom so I can pull, or "advance" the warp threads forward as I weave.
There are as many ways to dress a loom as there are weavers, dependent on how you learned, the loom, position/direction of various equipment and the space available, the weaver's body size, and preferences. Even though I have one basic method, I modify it to suit the loom/space/project, but the basics stay the same. The most crucial thing is for every warp end/pair to go on the warp beam under the same tension. Or, not loose one here and tight one over there. If I spread out the warp to roughly the width of the cloth, and place the very first end/pair I placed on the warping board at far left or far right of the cloth, the second next to it, the third next to that, etc., there is a better chance the warp will yield uniform/even tension without tangling or breaking.
I put a rod D, (or sometimes a slat depending on the project/fiber,) through the loop at the end of warp and attach it to a slat attached to the warp beam. The warp is uncut at this point, so it's still one, (or in this case, four,) long pieces of yarn.
I now spread the ends roughly in the width of the cloth on a tool called raddle C. A raddle has spaces in one inch increments, (I use inches for width and metric for length in weaving,) and I'm weaving this project with 20 pairs of ends per inch, so I count 20 ends/pairs for each slot. The original position for the raddle was at the top of the loom F, but it was too high even for the previous owner of the loom so she attached parts so the raddle can rest at the back of the loom above the warp beam. Otherwise I tend to prefer strings, yarns and other more temporary setup so I can accommodate different fibers, thicknesses, width of the projects, etc. It could also mean I change my mind often and have a fear of committing. :-D
To my right is the warping mill with the red Syrie warp still sitting on it. To the left, (and I'm surprised it didn't show up in this photo,) is the back of my four-shaft loom. I've been "thinking out loud" different configurations/storage schemes since I've come home from Japan and haven't been able to come up with a solution, but no matter what I leave a gap here so I can always put a warp on the big loom.
I unlock the brake at the side, and I wind the warp beam backwards, placing slats or thin flat sheets of different material to separate the layers. As seen above, I'm using corrugated card board E this time. I keep my eyes around the cross b and environs where it's easiest for yarns to tangle and break.