I wanted to do something loose and manual/analog, so I dug into my gesture drawing. I seem to fall in love all over again with the Friday home time drawings in Feb, '12. Finally these two pages had to come off the sketchbook so I can scan. (Apologies for the bad pics, it didn't rain today but was dark all afternoon.)
Throughout the preparation I was mindful I didn't want the different layers to go on top of each other precisely, so I varied the shapes in B, S1 and S2 slightly. None match each other or fit precisely inside P. There was an element of working this blind, (without test prints,) but I'm happy with the results.
By masking areas, I could have used multiple colors for clothes and accessories using the two stencil screen, but I was short of time. I also didn't meant to print as many as I did, but Judith kept telling me to push down harder so I don't get the "orange skin" effect, (apparently undesirable, but I actually love it; it suits the clothes, hats and shoes; might try to shoot with Ben's camera,) so I kept printing. I so wonder if it has to do with my cheap acrylic paints, too.
Too often I sacrifice making colors I like for expediency, and regret later. This weekend I paid attention and took time to mix carefully, another reason why I don't have many colors on the prints. But I love my colors.
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I first met Judith sometime between '00 and '02 when she ran a mixed media drawing workshop in the days when there weren't mixed media "products", so she introduced us to what are now seen as traditional material, but how to use them together, and to use everyday items in innovative ways to manipulate them. Many of which I still use in my mixed medias but can also be used as backgrounds for prints. I love that my various interests are converging.
Judith is such a terrific teacher at the completion of the first workshop I was compelled to write to the polytech congratulating them for having such an employee. I went to my first screen print workshop only because that was her next evening workshop and never imagined I'd enjoy it this many years later. I'm tempted to invest in a small setup (A4? Smaller?) for paper printing when I get back from Japan, but for now I hope Judith will continue to hold these workshops, which are more like retreats where equipment/material and her knowledge are available, but we do more or less our own things. Because, among other things, I have so many half-done sheets!
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Tuesday to Thursday last week I was so worried I wouldn't be well enough for the workshop I took drastic measures. I started the day with a litter of very thick grated ginger/turmeric/galangal/honey/lime or lemon/pepper hot drink, then soaked in a hot bath, and went back to bed until lunch time. Wednesday I added hot, diluted ginger wine to the mix, hoping the alcohol might kill germs. By Thursday I was desperate and dipped into Ben's single molt throughout the day and stayed in bed longer. (I remembered about this friend who is very healthy but when she gets a cold she hunkers down with a large bottle of Scotch!)
I wondered if I should not go to the workshop at all, but I had planned and prepared so I decided to leave early if I didn't feel great. Well, there is no time to feel sick in Judith's workshop, the mind keeps churning out ideas! I did leave about half an hour early on Day 1 to buy paint because I was completely out of reds and blues, but otherwise I was all in, then a fair bit of Scotch every night.
I haven't worked on the needlepoint for a while, but I undid Rosie's scarf Option 1 a week ago Sunday and started on Option 2. I love the new color and proportion, but it doesn't have the heavenly soft feel, but it's good start. I can make her another later. I'll show you a picture in the near future, but I knitted a little last night.