Testing, Testing

Today I started trying out sizes, (length) and shapes. The strips are 1/10 of 50cm-wide/3.5m-5.5m-long pieces. I'm 150cm tall in this model, (more like 145cm in person,) while the wiry guy is 180cm.  The strips are cut-to-size cheap drawing paper, painted with acrylic, and I'm using florists' wire to shape them; they behave differently from cloth hung with nylon cords, but it's a start.
This is me looking up at a low-hanging 4m strip.
Here's me looking up at the 4.5m strip while the low-hanging 4m strip touches the wiry guy's head. (Ignore the Aged Balsamico bottle; it keeps the leek upright.)
Here's me standing under a 5m strip while wiry guy is under a low-hanging 5.5m strip.
We swapped places. A piece of the other leek crept into the picture.

I have some notes from "Pillars":
1) "Pillars" were suspended from sticks resting on top of joists and a ledge on the wall, the top of the joist being higher than the ledge. "Pillars" pieces were between 3.2m-ish (??) to just under 4m-ish from memory, and none touched the floor. If the leek pieces are to sit directly on the floor and the tops to be, say, level with the top of the joist, I surmise the strips need to be around 4.2-4.5m long, even longer.
If any are to hang low/slanted at an angle, even if they don't need to reach the joist, (and they don't have to,) I'd still like an absolute minimum of 4m but as much as 5-5.5m.

2) At first I wanted lots of skinny strips, something like a leek/tree. But my theme this time is buildings, so wider is better and if that means fewer, I can live with it. While weaving the fabric on the current warp, roughly 55cm-wide, I thought I could weave as wide as 62-63cm, but much more slowly; with shrinkage/draw-in, this could still yield <>60cm in width. Even wider would have given the desired effect, (as do many more strips or even two leeks,) but I'm not going there. If I manage to weave four pieces, the bottom need not be circular/cylindrical, and a square becomes an option. I must experiment with wider paper strips.

3) While one or two strips may stand straight-ish, others will splay outward. When sewing the cylinder/square, I must imagine how the piece as a whole will be shaped and decide if some pieces will have A-side on the outside, while others B-, so the windows can be seen to best effect. If the location within the gallery is such that viewers can walk around the piece, all pieces may have the same side on the outside/inside. Where I saw sides of different strips together, it is best for the non-window parts, (exterior walls,) to look similar. Or does it matter?? Instinct tells me a balanced twill would work, but jury is still out until I study other weave structures.

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This weekend, we started the old but familiar exhibition-prep where Ben has had to cook more and make sure we eat. I've done a bit of batch cooking, pickles, roast veg, etc., but there may be some takeaways. Or chocolate.

I began looking forward to weeding a while back, too, and we have had friendlier weather, but you know? Ha. Ha. Ha.


charlotte said...

I never thought about that, this is so smart! I have wanted to make hangings, one thing has always stopped me: how am I going to hang them? I have no experience at all with hanging and feel completely helpless. But this would surely help!

Meg said...

We'll see how this one turns out, Charlotte. But Hubby and I like to think of imaginative ways to hang things, the former manager of Refinery, Roger, was great help in this department, and the Refinery's big gallery space renders to more vertical thinking.